You have to separate the art from the artist because there is not a single artist I’ve ever encountered who wasn’t some kind of fucking trashhole of a person.
Artists spent their lives on being artists, not developing good interpersonal skills or understanding politics or philosophy.
Beleiving an artist is a “good person” is just setting yourself up for disappointment. Start out assuming they suck dogshit and you usually end up being right.
I think it’s reasonable to draw some lines that, when crossed, you’ll choose to disengage from their art.
The musician doesn’t have to be a saint. But if I find out they, I don’t know, love eating live puppies, I’m going to prefer spending my time and attention elsewhere.
I’ll go a step further:
You have to separate the art from the artist because there is not a single artist I’ve ever encountered who wasn’t some kind of fucking trashhole of a person.
Artists spent their lives on being artists, not developing good interpersonal skills or understanding politics or philosophy.
Beleiving an artist is a “good person” is just setting yourself up for disappointment. Start out assuming they suck dogshit and you usually end up being right.
I think it’s reasonable to draw some lines that, when crossed, you’ll choose to disengage from their art.
The musician doesn’t have to be a saint. But if I find out they, I don’t know, love eating live puppies, I’m going to prefer spending my time and attention elsewhere.
I agree, but I like to start from a position of “this person probably sucks” because then I’m never disappointed.
This is a fair position to take.
I tend to avoid listening to interviews with bands I like in case they’re terrible.
Though weirdly I’ll chat with folks at merch tables.
Agreed. Show me a flawless human being, and I’ll show you someone who doesn’t have anything interesting to share with the world.
Sam from Future Islands is a pretty dope guy.